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Bringing together an eclectic mix of neoclassical minimalism, Americana storytelling, and ambient experimentation, Zach Sprowls expertly toes the line between beauty and pain. His debut album, All Beginnings Are Hard – a phrase borrowed from Chaim Potok’s novel, In the Beginning – is a meditation on the journey of starting over. Zach’s piano playing is a voice that speaks with all the complexity and charisma of personal experience. Woven together with classical strings, analog synthesizers, a blues organ, and biting lyrics, it creates a cinematic tapestry that is as sullen as it is pretty.

The Album
Bringing together a producer from Florida, a trio of some of the best string players Washington D.C. has to offer, and himself on piano, Zach recorded and filmed 6 of the tracks on this album live in a studio in Philadelphia, PA, on May 20, 2024. These tracks are the heart of this album. The audio on the album is the audio recorded that day in the studio that you’re watching performed on the videos. No overdubbing or re-recording. Warts and all. Just how he wanted it. Just how life is. It’s perfect.
The other 5 songs were recorded in Zach’s Scranton studio and consist of an eclectic set of tracks created in the months after the live recording to help weave together the story of the album. They feature a blues organ, vocals by Scranton-based Mystic Joy, and an old track recorded on an iPhone.
Tracklist
1. Prologue • learn more
2. All Beginnings Are Hard
3. Measure by Measure
4. All You Ever Wanted
5. Fits and Starts
6. I Thought I Knew
7. Prodigal
8. Marie
9. Shiver
10. Epilogue
11. Each To His Own Light
Liner Notes
All songs composed and arranged by Zach Sprowls
Piano, organ, synth, vocals: Zach Sprowls
Violin: Charles Gleason
Viola: Inga Liu
Cello: Lourdes de la Peña
Synth and percussion: David A. Molina
Ambient vocals: Mystic Joy
Live tracks (2, 4, 6, 7, 9, 11) recorded by Andy Clarke and Joe Boldizar at Retro City Studios, Philadelphia PA
Produced and mixed by David A. Molina
Additional mixing by Zach Sprowls
Mastered by Clyde Rosencrance of Republic Audio Studios
Cover design: Tony Susi / cover image: Brian Jones
(c) (p) 2024 Zaspr Media Publishing. All rights reserved.

The Singles
Two years before the album came out, Zach began releasing a series of singles in preparation for a full album release. These early, studio versions of three songs – All Beginnings Are Hard, I Thought I Knew, and Shiver – were later re-recorded for the album and in the case of Shiver re-arranged.
They feature a string quartet of U.S. Army Strings players and were recorded at the iconic Cue Recording Studios outside Washington D.C.
1. All Beginnings Are Hard
“All beginnings are hard…Especially a beginning that you make by yourself. That’s the hardest of all.” The wisdom of Chaim Potok’s novel, In the Beginning, was hard-won and, for Zach Sprowls, deeply resonant. This debut single echoes that wisdom. Its vulnerable arpeggios and breathing strings tell the story of life after loss—not in the tired clichés of resurrection or rebirth, but in the quiet resolve of motion itself. The piano at the center of the composition is simultaneously a song, a thought, and a step, seeking and making its way forward through hardship. Much like life, the immersive beauty of the piece comes from subtle transformations that reward you as you stay present.
In All Beginnings Are Hard, Zach has given voice to his transformation. From his lowest point six years ago—devastated and starting over—he’s gradually emerged as an artist to watch. A classically-trained pianist and composer, Zach cut his teeth as an accompanist and arranger. All Beginnings Are Hard reflects this maturity—it’s confident, full of expression, and masterfully captured.
Zach recorded the old Baldwin piano at the heart of the piece in his small Scranton apartment. A quartet consisting of members of the U.S. Army Strings then recorded his string arrangement at Cue Recording Studios outside Washington D.C. To this, Zach added understated analog synth textures. The combined result envelops the listener in a lush soundscape as deft as it is moving. In it, listeners can find their own story of transformation—of taking the next step amid hardship and becoming more than they imagined.
2. I Thought I Knew
I Thought I Knew is Zach Sprowls’ second studio release under his own name, following All Beginnings are Hard. It shows the same maturity and restraint of his debut, fitting comfortably in the vein of expressive neoclassical pianist-composers of our time, such as Max Richter, Hania Rani, and Ólafur Arnalds. Like theirs, Zach’s is a cinematic and natural voice shaped by life and place.
Moved by the tragic death of a beloved community member, Zach took to the piano to set down this piece as an artifact of grief. For him, a witness to life’s fragility, the melody surfaced like bedrock hours after the loss. In the coming days, he built a song of honesty and renewed hope on top of that foundation. In the final work, you can almost hear a statement–that the cost of meaning is fragility, that the beauty of life is in our delicate present, not our imagined future.
To the core piano track–a Baldwin upright in Zach’s family room–members of the U.S. Army Strings recorded Zach’s string arrangement at Cue Recording Studio in Falls Church, VA. The collaboration is apt, augmenting the skill of each musician with the indivisible beauty of a masterful composition.
Those who know Zach understand that these works are as steady as he is. These two releases are undoubtedly the first of many in his promising career.
3. Shiver
Zach’s art is the piano. With it, he captures light, dark, texture, and movement. As with his first two releases, this ability is immediately apparent in Shiver. Where All Beginnings Are Hard and I Thought I Knew draw the listener into solitary moments in Zach’s life – making loss and transformation palpable – Shiver manages to evoke ambiguity.
Around a pulsing ostinato, he shifts between modes, keys, and registers, reframing a melodic motive that’s both simple and profound. Paired with haunting vocals by Mystic Joy, Shiver sweeps over you like wind. Zach’s isn’t music that keeps its distance.
Fans of expressive neoclassical pianist-composers, such as Hania Rani, Max Richter, and Olafur Arnalds, will find in Zach Sprowls a kindred spirit with a mature voice and a bright future.
Liner Notes
Piano and synths: Zach Sprowls
Violin 1: Marlisa del Cid Woods
Violin 2: Charles Gleason
Viola: Caroline Castleton
Cello: Hrant Parsamian
Cover art by David Hayward
Special thanks to Alex Righter for coordinating and engineering the string recording session at Cue Recording Studios in Falls Church, VA, and for his thoughtful feedback which saved me from a huge mistake. Clyde Rosencrance, producer extraordinaire, who generously gave up hours to help me grow as a producer and mixer and who ultimately made the song sound good. Timothy Zieger, my best friend and gifted writer, who wrote my artist and song bios and who makes me and my music sound better than it is. David Hayward whose art and videos have validated my struggles and given me hope and direction for healing. Marlisa Woods who got all the best string players together and who always lights up at the opportunity to play my music. Aaron Huie, long lost friend, who took pics and videos and always inspires me. And for my wife, Beth – without her nudge this song (and the songs that follow) would still be hidden away on my hard drive.

The Live Tracks
On December 2, 2022, Zach loaded up his Baldwin piano and got a bunch of friends together to film live, piano-only versions of the singles in an old church building outside Scranton, PA.
Video filmed and edited by Levi Alfred
Audio engineered and mastered by Clyde Rosencrance of Republic Audio Studio
Cover photo by Keith Perks of 1120 Creative
Piano tuned by Joey Aikens
Building provided by Katie Lane of Imagine NEPA Theater & Performance Space